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Der
Dramatiker John
Dryden
John Dryden (* August 1631. in Aldwincle; † Mai 1700. in London) war ein einflussreicher englischer Dichter, Literaturkritiker und Dramatiker.
...
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The Wild Gallant (1663)
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Astraea Redux (1660)
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The Rival Ladies (?)
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The Indian Emperor (1667)
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Annus Mirabilis (1667)
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An Essay of Dramatick Poesie (1668)
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Tyrannick Love (1669)
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Marriage A-la-Mode (1672)
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The Conquest of Granada (1670)
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Amboyna, or the Cruelties of the Dutch to the English Merchants (1673)
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All for Love (1678)
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Oedipus (1679)
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Absalom and Achitophel (1681)
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The Medal (1682)
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Religio Laici (1682)
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The Hind and the Panther (1687)
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Amphitryon (1690)
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Don Sebastian (1690)
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King Arthur (1691)
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Amboyna
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The Works of Virgil (1697)
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Fables, Ancient and Modern (1700)
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THE WILD GALLANT
THE
Wild Gallant:
A
C O M E D Y.
As was Acted at the
THEATER ROYAL,
BY HIS
MAJESTIES
SERVANTS.
WRITTEN,
By JOHN DRYDEN, E/q
In the SAVOY.
Printed by Tho. Newcomb, for H. Herringman, at the
Blew-Anchor, in the Lower-Walk of the
New-Exchange. 1669.
Preface.
IT would be a great Impudence in me to say much of a Comedy, which has had but indifferent success in the action. I made the Town my Judges; and the greater part condemn'd it. After which I do not think it my Concernment to defend it, with the ordinary Zeal of a Poet for his decry'd Poem. Though Corneille is more resolute in his Preface before his Retharite, which was condemn'd more Universally than this: for he avowes boldly, That in spight of Censure his Play was well, and regularly written; which is more than I dare say for mine. Yet it was receiv'd at Court; and was more than once the Divertisement of His Majesty, by His own Command. But I have more modesty than to ascribe that to my Merit, which was His particular Act of Grace. It was the first attempt I made in Dramatique Poetry; and, I find since, a very bold one, to begin with Comedy; which is the most difficult part of it. the Plot was not Originally my own: but so alter'd, by me (whether for the better or worse, I know not) that, whoever the Author was, he could not have calleng'd a Scene of it. I doubt not but you will see in it, the uncorrectness of a young Writer: which is yet but a small excure for him, who is so little amended since. The best Apology I can make for it, and the trues, in onely this; That you have since that time received with Applause, as bad, and as uncorrect Playes from other Men.
PROLOGUE to the WILD GALLANT,
as It was first Acted.
Is it not strange, to hear a Poet say,
He comes to ask you, how you like the Play?
You have not seen it yet ! alas 'tis true,
But now your Love and Hatred judge, not You.
And cruel Factions (Brib'd by Interest) come,
Not wo weigh Merit, but to give their Doome :
Our Poet therefore, jealous of th' Event ,
And (though much boldness takes) not confident.
Has Sent me, whither you, fair Ladies, too
Sometimes upon as small occasions goe,
And from this Scheme, drawn for the hour and day,
Bid me inquire the fortune of his Play.
The Curtain drawn discovers two Astrologers ;
The Prologue is presented to them.
1. Astrologus reads. A Figure of the heavenly Bodies in their several Apartments, Feb. the 5th. half an hour after three after Noon, from whence you are to judge the success of a new Play called the WILD GALLANT.
2. Astrologus. Who must judge of it, we, or these Gentlemen? We'll not meddle with it, so tell your Poet. Here are in this House the ablest Mathematicians in Europe for his purpose.
They will resolve the question e'r they part.
1. Astrologus:
Yet let us judge it by the rules of Art.
First Jupiter, the Ascendants Lord digrac'd,
In the twelfth House, and near grim Saturn plac'd,
Denete short life unto the Play: ----
2. Astrologus:
------------------------------------ Jove yet,
In his Apartment Sagitary, set
Under his own Roof, cannot take much wrong.
1. Astrologus:
Why then the Lif's not very short, nor long;
2. Astrologus:
The luck not very good, nor very ill.
Prologus:
That is to say, 'tis as 'tis taken still.
1. Astrologus:
But, Brother, Ptolomy the Learned says,
Tis the fifth house from whence we judge of Plays.
Venus the Lady of the House I find
Is Peregrine, your Play is ill design'd,
it should have been but one continued Song,
Or at the least a Dance of 3 hours long.
2. Astrologus:
But yet the greatest Mischief does remain
john dryden an introduction john dryden
00:04
was born on nights of orcas 1631 in the
00:08
village rectory of Al Twinkle near fraps
00:11
10 in Northamptonshire and grew up in a
00:14
nearby village in 1644 he was sent to
00:17
Westminster School as a king's scholar
00:20
and then obtained his BA in 1650 for
00:23
graduating top of the list for Trinity
00:26
College Cambridge returning to London
00:29
during the Protectorate Dryden found
00:32
work with Cromwell Secretary of State
00:34
John furlough at cromwell's funeral on
00:37
November 23rd 1658 he found company with
00:41
the Puritan poets John Milton and Andrew
00:44
Marvell the setting was to be a sea
00:47
change in English history from Republic
00:50
to monarchy and from one set of lauded
00:53
poets - what would soon become the age
00:56
of Dryden later that year he published
00:59
the first of his great poems heroic
01:02
stances in 1658 the eulogy on Cromwell's
01:07
death with the restoration of the
01:10
monarchy in 1660
01:12
Dryden's celebrated in verse with
01:14
Austria Redux an authentic royalist
01:18
panegyric and with the reopening of the
01:20
theatres he began to also write plays
01:23
his first the wild gallant appeared in
01:28
1663 and whilst not successful he was
01:32
contracted to produce three plays a year
01:34
for the King's company in which he
01:36
became a shareholder during the 16
01:39
sixties and seventies
01:40
theatrical writing was his main source
01:43
of income in 1667 he published annus
01:47
mirabilis a lengthy historical poem
01:51
which described the English defeat of
01:53
the Dutch naval feat and the Great Fire
01:56
of London this work established him as
01:59
the preeminent poet of his generation
02:02
and was crucial in his attaining the
02:04
posts of poet laureate in 1668 and a
02:08
couple of years later historiography a
02:10
royal as his talent encompass
02:13
many forms from poetry to plays to
02:16
translations in 1694 he began work on
02:21
what would be his most ambitious and
02:23
defining work as a translator the works
02:26
of Virgil which was published in 1697 by
02:31
subscription it was a national event
02:34
john dryden died on 12th of may 1700 and
02:39
was initially buried in st. Anne's
02:41
Cemetery in Soho before being exhumed
02:44
and reburied in Westminster Abbey ten
02:47
days later
02:50
farewell ungrateful traitor by John
02:53
Dryden
02:54
farewell ungrateful traitor farewell my
02:58
perjured Swain let never injured
03:00
creature believe a man again the
03:03
pleasure of possessing surpasses all
03:05
expressing but is too short a blessing
03:08
and love too long a pain it is easy to
03:12
deceive us in pity of your pain but when
03:15
we love you leave us to rail at you in
03:18
vain before we have described it there
03:20
is no bliss beside it but she that once
03:23
has tried it will never love again the
03:26
passion you pretended was only to obtain
03:29
but when the charm is ended the charmer
03:31
you disdain your love by hours we
03:34
measure till we have lost our treasure
03:36
but dying is a pleasure when living is a
03:40
pain one happy moment by John Dryden oh
03:46
no poor suffering heart no change
03:50
endeavor choose to sustain the smart
03:53
rather than leave her my ravished eyes
03:57
behold such arms about her I can die
04:00
with her but not live without her
04:04
one-tenth a sigh of hers to see me
04:07
languish will more than pay the price of
04:10
my past anguish
04:12
beware o cruel fare how you smile on me
04:16
it was a kind look of yours that has
04:18
undone me love has in store for me one
04:22
happy minute and she will end my pain
04:26
who did begin it when no day void of
04:30
bliss or pleasure leaving ages shall fly
04:33
the way without perceiving Cupid shall
04:37
guard the door the more to please us and
04:39
keep out time and death when they would
04:43
seize us time and death shall depart and
04:47
say in flying love has found out a way
04:51
to live by dying
04:56
can life be a blessing by john dryden
05:01
can life be a blessing or worth the
05:07
possessing can life be a blessing if
05:11
love were away
05:13
oh no though I love all night keeps us
05:18
waking and though he torment us with
05:22
cares all the day yet he sweetens he
05:26
sweetens our pains in the taking there's
05:30
an hour at the last there's an hour to
05:33
repay in every possessing the ravishing
05:38
blessing in every possessing the fruits
05:42
of our pain poor lovers forget long ages
05:47
of anguish were tear they have suffered
05:50
and done to obtain tis a pleasure a
05:54
pleasure to sigh and to languish when we
05:58
hope where we hope to be happy again
06:05
a song the st. Cecilia's day by john
06:09
dryden from harmony from heavenly
06:15
harmony this universal frame began when
06:19
nature underneath the heap of jarring
06:22
atoms lay and could not heave her head
06:25
but tuneful voice was heard from high
06:28
arise ye more than dead then cold and
06:33
hot and moist and dry in order to their
06:37
stations leap and musics power obey from
06:42
harmony from heavenly harmony this
06:45
universal frame began from harmony to
06:50
harmony through all the compass of the
06:52
notes it ran the diapason closing full
06:56
in man what pression cannot music raise
07:01
and quell when do Bell struck the corded
07:05
shell his listening brethren stood
07:08
around and wandering on their faces fell
07:11
to worship that celestial sound less
07:16
than a god they thought there could not
07:19
dwell within the hollow of that shell
07:20
but spoke so sweetly and so well what
07:26
passion cannot music raise and quell
07:31
the trumpets loud clang er excites us to
07:35
arms with shrill notes of anger and
07:37
mortal alarms the double double double
07:41
beat of the thundering drum cries hark
07:44
the foes come charge charge
07:47
tis too late to retreat a soft
07:51
complaining flute in dying notes
07:54
discovers the woes of hopeless lovers
07:58
whose dirge is whispered by the warbling
08:01
lute sharp violins proclaim their
08:05
jealous pangs and desperation fury
08:07
frantic indignation depths of pains and
08:11
height of passion for the fair
08:14
disdainful Dame but oh what art can
08:19
teach what human voice can reach the
08:22
sacred organs praised notes inspiring
08:26
holy laugh notes that wing their
08:29
heavenly ways to mend the choirs above
08:33
Orpheus could lead the savage race and
08:36
trees unrooted left their place
08:39
sequester's of the lyre but bright
08:42
Cecilia raised the Wonder higher when to
08:46
her organ vocal breath was given an
08:49
angel heard and straight appeared
08:53
mistaking earth for heaven