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Der
Dramatiker John
Dryden

John Dryden (* August 1631. in Aldwincle; † Mai 1700. in London) war ein einflussreicher englischer DichterLiteraturkritiker und Dramatiker.

...

  • The Wild Gallant (1663)

  • Astraea Redux (1660)

  • The Rival Ladies (?)

  • The Indian Emperor (1667)

  • Annus Mirabilis (1667)

  • An Essay of Dramatick Poesie (1668)

  • Tyrannick Love (1669)

  • Marriage A-la-Mode (1672)

  • The Conquest of Granada (1670)

  • Amboyna, or the Cruelties of the Dutch to the English Merchants (1673)

  • All for Love (1678)

  • Oedipus (1679)

  • Absalom and Achitophel (1681)

  • The Medal (1682)

  • Religio Laici (1682)

  • The Hind and the Panther (1687)

  • Amphitryon (1690)

  • Don Sebastian (1690)

  • King Arthur (1691)

  • Amboyna

  • The Works of Virgil (1697)

  • Fables, Ancient and Modern (1700)

  • Prolog und Epilog zu "The pilgrim" (1700)

THE PILGRIM

THE 

PILGRIM

 

A COMEDY:

As it is Acted

at the THEATRE-ROYAL,

IN

DRURY-LANE.

 

Written Originally by Mr. Fletcher, and now very much Alter'd, with several Additions.

 

LIKEWISE

A Prologue, Epilogue, Dialogue and Masque, Written by the late Great Poet Mr. DRYDEN, just before his Death, being the last of his WORKS.

 

LONDON, Printed for Benjamin Tooke, near the Middle-

Temple-Gate, in Fleet-street, 1700.

 


 

John Dryden hat für die oben genannte Aufführung den Text für "The pilgrim" von Fletcher unter anderem um einen Prolog und einen Epilog erweitert, die für die Buchausgabe Q1 beide vor dem Stück gedruckt wurden. Nach dem Stücktext folgt "Song for a scholar and his mistress" und "The secular masque". In einer weiteren Ausgabe (Q2) von "The pilgrim" wird sogar eine eigene Titelseite eingefügt, die "A Dialogue and Secular Masque in The pilgrim (1701)" angekündigt, und dieser sogar eine eigene Signatur und auch eigene Seitenzahlen zuordnet werden. "A Dialogue" steht auf S. 1-8 und "Song..." auf S. 9-12. Auch an andern Stellen (etwa in Congreves Ausgabe der "Dramatick Works of Dryden") werden die Texte nachgedruckt, ohne den Zusammenhang zum Stück von Fletcher überhaupt zu benötigen.

Wir haben darum hier auch nur die neu erstellten Texte Drydens vorgestellt. Im Anschluss finden Sie als PDF-Datei den kompletten Text von "The pilgrim" in einer Neuübersetzung, in der der Prolog bzw. Epilog von Dryden dem Stück seines Kollen vor- bzw. nachgestellt ist.

john dryden an introduction john dryden

00:04

was born on nights of orcas 1631 in the

00:08

village rectory of Al Twinkle near fraps

00:11

10 in Northamptonshire and grew up in a

00:14

nearby village in 1644 he was sent to

00:17

Westminster School as a king's scholar

00:20

and then obtained his BA in 1650 for

00:23

graduating top of the list for Trinity

00:26

College Cambridge returning to London

00:29

during the Protectorate Dryden found

00:32

work with Cromwell Secretary of State

00:34

John furlough at cromwell's funeral on

00:37

November 23rd 1658 he found company with

00:41

the Puritan poets John Milton and Andrew

00:44

Marvell the setting was to be a sea

00:47

change in English history from Republic

00:50

to monarchy and from one set of lauded

00:53

poets - what would soon become the age

00:56

of Dryden later that year he published

00:59

the first of his great poems heroic

01:02

stances in 1658 the eulogy on Cromwell's

01:07

death with the restoration of the

01:10

monarchy in 1660

01:12

Dryden's celebrated in verse with

01:14

Austria Redux an authentic royalist

01:18

panegyric and with the reopening of the

01:20

theatres he began to also write plays

01:23

his first the wild gallant appeared in

01:28

1663 and whilst not successful he was

01:32

contracted to produce three plays a year

01:34

for the King's company in which he

01:36

became a shareholder during the 16

01:39

sixties and seventies

01:40

theatrical writing was his main source

01:43

of income in 1667 he published annus

01:47

mirabilis a lengthy historical poem

01:51

which described the English defeat of

01:53

the Dutch naval feat and the Great Fire

01:56

of London this work established him as

01:59

the preeminent poet of his generation

02:02

and was crucial in his attaining the

02:04

posts of poet laureate in 1668 and a

02:08

couple of years later historiography a

02:10

royal as his talent encompass

02:13

many forms from poetry to plays to

02:16

translations in 1694 he began work on

02:21

what would be his most ambitious and

02:23

defining work as a translator the works

02:26

of Virgil which was published in 1697 by

02:31

subscription it was a national event

02:34

john dryden died on 12th of may 1700 and

02:39

was initially buried in st. Anne's

02:41

Cemetery in Soho before being exhumed

02:44

and reburied in Westminster Abbey ten

02:47

days later

02:50

farewell ungrateful traitor by John

02:53

Dryden

02:54

farewell ungrateful traitor farewell my

02:58

perjured Swain let never injured

03:00

creature believe a man again the

03:03

pleasure of possessing surpasses all

03:05

expressing but is too short a blessing

03:08

and love too long a pain it is easy to

03:12

deceive us in pity of your pain but when

03:15

we love you leave us to rail at you in

03:18

vain before we have described it there

03:20

is no bliss beside it but she that once

03:23

has tried it will never love again the

03:26

passion you pretended was only to obtain

03:29

but when the charm is ended the charmer

03:31

you disdain your love by hours we

03:34

measure till we have lost our treasure

03:36

but dying is a pleasure when living is a

03:40

pain one happy moment by John Dryden oh

03:46

no poor suffering heart no change

03:50

endeavor choose to sustain the smart

03:53

rather than leave her my ravished eyes

03:57

behold such arms about her I can die

04:00

with her but not live without her

04:04

one-tenth a sigh of hers to see me

04:07

languish will more than pay the price of

04:10

my past anguish

04:12

beware o cruel fare how you smile on me

04:16

it was a kind look of yours that has

04:18

undone me love has in store for me one

04:22

happy minute and she will end my pain

04:26

who did begin it when no day void of

04:30

bliss or pleasure leaving ages shall fly

04:33

the way without perceiving Cupid shall

04:37

guard the door the more to please us and

04:39

keep out time and death when they would

04:43

seize us time and death shall depart and

04:47

say in flying love has found out a way

04:51

to live by dying

04:56

can life be a blessing by john dryden

05:01

can life be a blessing or worth the

05:07

possessing can life be a blessing if

05:11

love were away

05:13

oh no though I love all night keeps us

05:18

waking and though he torment us with

05:22

cares all the day yet he sweetens he

05:26

sweetens our pains in the taking there's

05:30

an hour at the last there's an hour to

05:33

repay in every possessing the ravishing

05:38

blessing in every possessing the fruits

05:42

of our pain poor lovers forget long ages

05:47

of anguish were tear they have suffered

05:50

and done to obtain tis a pleasure a

05:54

pleasure to sigh and to languish when we

05:58

hope where we hope to be happy again

06:05

a song the st. Cecilia's day by john

06:09

dryden from harmony from heavenly

06:15

harmony this universal frame began when

06:19

nature underneath the heap of jarring

06:22

atoms lay and could not heave her head

06:25

but tuneful voice was heard from high

06:28

arise ye more than dead then cold and

06:33

hot and moist and dry in order to their

06:37

stations leap and musics power obey from

06:42

harmony from heavenly harmony this

06:45

universal frame began from harmony to

06:50

harmony through all the compass of the

06:52

notes it ran the diapason closing full

06:56

in man what pression cannot music raise

07:01

and quell when do Bell struck the corded

07:05

shell his listening brethren stood

07:08

around and wandering on their faces fell

07:11

to worship that celestial sound less

07:16

than a god they thought there could not

07:19

dwell within the hollow of that shell

07:20

but spoke so sweetly and so well what

07:26

passion cannot music raise and quell

07:31

the trumpets loud clang er excites us to

07:35

arms with shrill notes of anger and

07:37

mortal alarms the double double double

07:41

beat of the thundering drum cries hark

07:44

the foes come charge charge

07:47

tis too late to retreat a soft

07:51

complaining flute in dying notes

07:54

discovers the woes of hopeless lovers

07:58

whose dirge is whispered by the warbling

08:01

lute sharp violins proclaim their

08:05

jealous pangs and desperation fury

08:07

frantic indignation depths of pains and

08:11

height of passion for the fair

08:14

disdainful Dame but oh what art can

08:19

teach what human voice can reach the

08:22

sacred organs praised notes inspiring

08:26

holy laugh notes that wing their

08:29

heavenly ways to mend the choirs above

08:33

Orpheus could lead the savage race and

08:36

trees unrooted left their place

08:39

sequester's of the lyre but bright

08:42

Cecilia raised the Wonder higher when to

08:46

her organ vocal breath was given an

08:49

angel heard and straight appeared

08:53

mistaking earth for heaven

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